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Emma. free full movies. Emma. free full version. Emma. Free full article. Emma full movie free. Billie and emma full movie. Gloria Glover was as peculiar as she was fascinating. Always dressed in black with shiny silver hair. She had this distinct smell of coffee and cigarettes mixed with the sweetness of caramel. She never cared too much about what people thought of her and spent most of her time alone in her big beautiful house, which was just as unique as her. The right half of the house was made out of wood, painted in the colors blue and red. Individual planks of blue color were assembled to a small staircase which led you to the bright red front door. The left side of the house was entirely covered in ivy. Even the windows. My father would always compare it to something from a Scandinavian child’s book. He wasn’t wrong but he would always say it with his typical cynical undertone. Dad was never too fond of the strange house that he grew up in and hardly ever visited it. I on the other hand adored it, it was a lot nicer than the boring grey concrete building we lived in. I guess we usually despise the taste of our parents. A sense of rebellion we are born with. What made grandma’s home even more special was that she had come up with all of it herself. She was an architect and drew what her mind showed. It was the house of her dreams and my grandfather who was a terrific building engineer did all the math to make her dream come true. He had the logical brain half and my grandmother had the creative one. At least that’s what she used to tell me. I didn’t have the luck to meet my grandfather as he passed away before I was born. I had always been fascinated with my grandmother but I hardly ever saw her. My father and his siblings distanced themselves from her a long time ago. There was a lot of bad blood in my family. While my dad never explicitly said it to my face, there seemed to be the general idea that grandma was the cause of her husband’s death. I never believed in those sick rumors though. Gloria was simply different. Misunderstood. She was a dreamer which her boring family couldn’t accept. Or maybe I was the one who idealized her. If I’m honest I didn't even know her half as much as I wished. The last time I met her was the day after my eighteenth birthday. I had just gotten my driver’s license and drove down to grandma so we could bake a cake together. It didn’t matter that we saw each other less than once a year, she was always kind and sweet and told me all sorts of interesting tales and fables. It always made me feel special that grandma seemed to enjoy my company. Not many had this privilege, not even her children. But somehow we had this close connection. That last time I saw her however, her fairy tales and stories didn’t fascinate me. They scared me. Her thoughts were all mixed up and irregular. She spoke of a special world that only existed in our minds. A world where people had the wrong faces and where love did not exist. “It’s not a good world my child. I thought it was but they tricked me. ” “Who tricked you? ” I asked. I was starting to get concerned. Usually, she was always so calm but now she was acting all fidgety. “The ones with the wrong faces. They can smell that I don’t belong. I need to leave forever, ” she said in between taking puffs from her cigarette. That was the last time we spoke. It wasn’t unusual for my grandma to make up new worlds. She liked to write in her free time but this day was so different because it was the first time that she seemed genuinely afraid of something. It was also the first time that I realized that my dad might have been right about the mental problems of my grandmother. I wasn’t sure whether I simply hadn’t noticed the signs before or whether she started to become a bit more senile as she was getting older but it hurt either way. I hated the thought of her being alone in that house with thoughts she couldn’t control. As I drove back to my place, I called my dad right away. While my father and his brothers had tried many times before to send her to a place where she could be cared for, she always declined. She wanted to stay in her home and as long as she was healthy, there was not much they could do about it. This time I was furious with my father though. I didn’t care how terrible his bond with his mother was, she belonged to our family. Not in some senile home. Maybe she would change her mind if we invited her to live with us. I even promised to move back home for a while. After fighting for a couple of hours, he agreed to drive down and convince her to come with him. I promised I would try to get her to a doctor in exchange. But it was already too late. All he found was the note she had left before she took her life. They didn’t even find a body. The way she had described it in her note, she was now floating in the same sea where my grandfather was. It was all rather cryptic but nonetheless we were sure that Gloria Glover had left our world. It broke my heart. I kept blaming myself for leaving her at all. For days all I could do was cry and wonder what would have happened had I acted differently. If I had taken her thoughts more seriously. At that point, my father swore to himself that he would never pass the threshold of his childhood home ever again. He didn’t care what would happen with all her belongings, let alone the house. My uncles didn’t seem to be too interested either. They associated it with too many bad memories. So I suggested I would drive down and take care of everything. I couldn’t stand the thought of strangers rummaging through her belongings and all her carefully crafted art. I worked from home either way and decided I would just take my laptop and move into the beautiful red and blue house with the ivy side until everything was taken care of. --- I took a deep breath and opened the red door. The smell of cigarettes and caramel made my heart ache with nostalgia. I stood there at the entrance for about half an hour until I accepted that she wouldn’t be greeting me with a cup of strong coffee. I opened the big windows to let in some air. As I walked to the living room I looked through the big glass door leading to the garden. The garden had been the one place that I was never allowed to go to. I never understood why. Grandma would make up excuses each time I asked for us to go outside. “It will rain soon. ” “You might step on the flowers. ” “There are nasty insects out there. ” When I was younger I thought grandma simply hated the outside. It was always dark and musty inside, windows always closed, and she hardly ever left the house. I opened the door and stepped outside. On the ground there was something written with chalk. ALWAYS close the door behind you. I was extremely confused. It had rained a few days ago and nobody had been in here for weeks, how did the chalk not wash off? And I could swear it looked like grandma’s handwriting. Still, I did as asked and closed the door. I looked around. There wasn’t much to see but bewildered flowers, trees and hedges. Why had I not been allowed to go out here? But then I noticed something. In the left corner just underneath a rose bush there was a big gap. It looked almost like a passage. I hunched down and started crawling in between. For some reason I just had a feeling that there had to be more to this garden. I kept crawling until I reached the other side. I had never seen much of the area where grandma lived. Every time we came here, we’d mostly stay inside and the road that led to her home was pretty empty but I just assumed there wasn’t much around. Maybe a supermarket down the road or a drug store. What I saw on the other side of this hedge blew my mind. There was a beautifully paved road and it led all the way to a town. A town I had never seen before. From afar I could already tell that all the houses looked rather spectacular. Different colors, sizes and shapes. I felt my heartbeat getting faster. This was incredibly exciting, I felt like I had just discovered a whole new world. Maybe this could even be what my grandmother was talking about. But if it was, then why did she never show me this cute little town? I started walking down the road until a thought made me stop in my tracks. This wasn't right. When I walked out into the garden the sun was starting to set. It wasn’t dark just yet but definitely getting there. But now, all of a sudden everything was bright as if it was the middle of the day. Something was off but my mind couldn’t quite comprehend what it was. I looked up at the sky. I couldn’t spot the sun but it was definitely there. So bright that looking up made me sneeze. “Bless you” I heard a voice behind me say. I turned around and saw a boy around my age. He was smiling but something about it seemed odd. His mouth was formed to a grin but the rest of his face stayed still as if that grin had been plastered onto his skin. “Uhm, thanks. Do you live here? ” I asked. “Yeah, just over there. ” He nodded over to a house next to ours. I frowned and stared at the house. I had never noticed it before. When I turned my gaze back to the boy, he had disappeared. “Weird” I mumbled to myself and continued walking down the road. Something was definitely strange about this place but I was too curious to go back just yet. If this was such a small town, then I’m sure some people must have known Gloria Glover. I figured I’d look for a shop or a café and talk to someone about her. Something inside me just kept screaming that there was more to her death and if I didn’t try to figure it out, who else would? As I got closer to the town I started noticing more people. Or at least that’s what I thought at first. Whatever these things were, they certainly didn’t look human. I rubbed my eyes, not believing what I was seeing. Something about these things was so terribly wrong. I’m not sure how to put it in better words but their faces were incorrect. They were uncanny. As if someone had tried to draw a human from memory. I stopped walking. This felt so surreal but then again they were still rather far away. Maybe they were just wearing costumes? Maybe there was some festival going on, I thought but something deep inside my gut was shouting that this was not right and that I needed to run. But I couldn’t. I felt like I had just found a new world, my grandmother’s world and what kind of a coward would I be if I just left? I inhaled and collected my courage to continue. A shiver went down my spine as I felt someone’s hot breath on my neck. Too afraid to turn around or move at all, I stood there, frozen. It started making noises. At first, I couldn’t quite place them but then I realized what was happening. It was smelling me. I turned my head slightly to the left and saw the long yellow nails that belonged to a dry white hand. It was just above my shoulder, close, but not yet touching. Then I saw the face. This definitely wasn’t a mask. I opened my mouth but couldn’t think of any words. Suddenly a loud siren started blasting and this person, or thing, ran off to the town. The other creatures followed. The loud sound snapped me back out of my trance and I was finally able to breathe out. I turned around and started running towards the hedge. I was just a few steps away when I felt someone grabbing my arm. “Gloria? ” I stopped and turned around to the man who was holding me. He had blonde hair with a touch of red and was dressed in dark blue pants and a forest green shirt. He didn’t look like those creatures. His face was normal. “N-no, I’m Emma” I mumbled. He let go of my arm. “What are you doing here? ” he started shouting. “You have to go! You don’t belong here! ” I stumbled back and fell to the ground. I turned around and crawled through the hedge as fast as I could. My heart was racing like crazy as I got back to the garden where the sky had turned pitch black now. I didn’t stop though. I kept running until I was back inside the house and closed the door behind me. I let myself fall to the ground and tried to catch my breath. Had this really just happened? “What are you doing here? ” I suddenly heard a familiar voice say. “What the fuck? ” I exclaimed and got back on my feet. It was the neighbor. His skin was pale and his hair dark. He tilted his head. At least his face seemed normal now. Maybe I did imagine things out there. I hadn’t really slept much lately. “Wait, are you Mrs. Glover’s granddaughter? ” he asked. I nodded. “Oh yeah, she talked about you all the time, was very fond of you. ” He laughed. “You actually look a lot like her. I’m Ben” he reached out his hand. “I live next door. ” I stayed where I was. “Why are you here? And what happened to your face? ” I took a step back but behind me was only the door to the garden. “What do you mean? What’s wrong with my face? ” He smiled again. I just stood there. Was my mind playing tricks on me? “I have to go now but we can talk again soon if you like. I knew your grandma pretty well. ” I followed him to the front door, still not sure what to say. Before he left, he turned around once more and winked at me. “Next time make sure to close the windows as well. ” Part 2
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Emma full movie. Free Me Studio album by Emma Bunton Released 9 February 2004 Recorded 2003 Studio Sarm West, London [a] Olympic, London [b] Length 45: 30 Label 19 Producer Yak Bondy Boo Dan Productions Cathy Dennis Simon Ellis Ray "Madman" Hedges Tim Lever Pete Lewinson Steve Lewinson Lipso Facto Mike Peden Mike Percy Fabien Waltmann Emma Bunton chronology A Girl Like Me (2001) Free Me (2004) Life in Mono (2006) Alternative cover US and Canadian cover Singles from Free Me " Free Me " Released: 26 May 2003 " Maybe " Released: 13 October 2003 " I'll Be There " Released: 26 January 2004 " Crickets Sing for Anamaria " Released: 31 May 2004 Free Me is the second solo studio album by English singer Emma Bunton. It was released on 9 February 2004 by 19 Recordings. [1] The album peaked at number seven on the UK Albums Chart and spawned three top-10 singles: " Free Me ", " Maybe " and " I'll Be There ". Background [ edit] In 2001, Bunton released her solo debut album A Girl Like Me through Virgin Records. It spent over 12 weeks inside the UK Albums Chart, peaking at number four and earning a gold certification by the British Phonographic Industry (BPI). It also produced her only solo chart-topper " What Took You So Long? ", as well as the top-five singles " What I Am " and " Take My Breath Away ", and the top-20 entry " We're Not Gonna Sleep Tonight ". When it came to her second album, her record company "came to me and said, 'Let's do a demo thing for the second album. ' And I thought, 'Hold on a minute. ' Not a lot of people know this, but I actually walked away from it. We put so much into it, and when they don't give you that support anymore, it's quite heartbreaking", says Bunton. "I said, 'Thank you very much for the demo idea, but I want to take this where I know people are going to be right behind me and work as hard as I do. '" [2] Composition [ edit] The album was largely produced by Mike Peden and Yak Bondy, who have produced tracks for acts such as S Club 7 and Lucie Silvas. Other contributions on the album are courtesy of Cathy Dennis, Henry Binns, and Puerto Rican singer Luis Fonsi. The album was released via 19 Recordings, which is a division of 19 Management, the company owned by Simon Fuller. Bunton says of the inspiration behind the album: "I've been listening to Motown since I was about five, and just loving it, being very passionate about the fact how it was all done live, and I thought, 'Hold on, I always talk about the fact I love '60s and Motown', so I thought I'd take elements of it, bits of it, and put it into my album, so that's exactly what I did. " However, Bunton's songs on this album mainly started life as a simple scribble. She says, "I have a little book beside my bed, where I put all my ideas for songs and stuff. It's kind of weird, 'cuz usually when I'm having a dream, I'll wake up, and I'll write something down, then I'll look at it again and think, 'God, what was I dreaming about? '" Singles [ edit] The album's lead single, " Free Me ", was released in May 2003. The song immediately picked up airplay, peaking at number five on the UK Singles Chart. " Maybe " was released as the second single in October 2003, and also gained extensive airplay throughout the United Kingdom, peaking at number six. In January 2004, " I'll Be There " was released as the third single from the album. Like its two predecessors, it performed well on the charts, peaking at number seven on the UK chart. Later in the year, in May, " Crickets Sing for Anamaria ", was released as the fourth single. The song peaked at number 15 on the UK Singles Chart. In the United States, both "Free Me" and "Maybe" were dance club regulars, reaching numbers four and six on the Billboard Hot Dance Club Play chart, respectively. [3] Critical reception [ edit] Professional ratings Review scores Source Rating AllMusic [1] BBC Music positive [4] Blender [5] The Daily Telegraph positive [6] musicOMH mixed [7] Rolling Stone [8] USA Today [9] The album was acclaimed by critics for its catchy and fun use of sounds from the Motown and the 1960s era. BBC Music says the album is "light and frothy, like a good cappuccino, but this time it's with the sugar taken out". [4] Stephen Thomas Erlewine of AllMusic gave a positive review saying, "This music is stylish without being flashy, thanks in large part to the charmingly tuneful, sturdy songs (all but one bearing a writing credit from Emma). While Bunton may still have a small, sweet voice, she's developed a stronger presence on record, giving this album not just a face, but a fetching persona that's hard to resist". [1] According to Lynsey Hanley from newspaper The Daily Telegraph, Bunton's new musical direction was "a brave move, given that high-sheen, saucy R&B is currently the main mode of expression for female pop performers, but Emma's lilting vocals and only faintly suggestive image suit this album's less aggressive style". [6] "The album's got charm, grace and it's fun", said Q magazine. Marie Claire magazine said it "mixes up bossa nova with James Bond soundtrack" and that "Emma resembles a seductive Brigitte Bardot ". [10] Track listing [ edit] No. Title Writer(s) Producer(s) Length 1. " Free Me " Emma Bunton Hélène Muddiman Mike Peden Peden 4:28 2. " Maybe " Bunton Yak Bondy Peden 3:43 3. " I'll Be There " Bunton Muddiman Peden Peden 3:23 4. "Tomorrow" Bunton Bondy Bondy 3:55 5. "Breathing" Bunton Henry Binns Yoyo Olugbo Boo Dan Productions 4:00 6. " Crickets Sing for Anamaria " Marcos Valle Ray Gilbert Peden 2:46 7. "No Sign of Life" Bunton Simon Ellis Steve Lee Ellis 3:38 8. "Who the Hell Are You" Bunton Ray Hedges Nigel Butler Ray "Madman" Hedges 3:18 9. "Lay Your Love on Me" Bunton Cathy Dennis Dennis Fabien Waltmann 3:23 10. "Amazing" (featuring Luis Fonsi) Bunton Peden Muddiman Nina Marander Peden 4:06 11. "You Are" Bunton Tim Lever Mike Percy Lever Percy 3:46 12. "Something So Beautiful" Bunton Steve Lewinson Pete Lewinson S. Lewinson P. Lewinson Lipso Facto [a] 3:46 Total length: 45:30 US edition bonus tracks No. Title Writer(s) Producer(s) Length 13. "Free Me" (Dr. Octavo Seduction Remix) Bunton Muddiman Peden Peden Dr. Octavo [a] [b] 3:38 14. "Free Me" ( Full Intention Freed Up Remix) Bunton Muddiman Peden Peden Michael Gray [b] Jon Pearn [b] 4:01 Notes ^[a] signifies an additional producer ^[b] signifies a remixer Personnel [ edit] Credits adapted from the liner notes of Free Me. [11] Musicians [ edit] Emma Bunton – lead vocals (all tracks); backing vocals (track 9) Charlie Russell – programming (tracks 1–3, 6); live drums (tracks 1–3); drums, live programming (track 10) Mike Peden – bass (tracks 1, 10); percussion (track 2); keyboards (tracks 3, 6) Graham Kearns – guitars (tracks 1, 2, 9, 10); bass guitar (track 6) Helene Muddiman – keyboards (track 1); backing vocals (tracks 1, 3) Martin Hayles – keyboards (tracks 1, 3) Nick Ingman – orchestra arrangement, orchestra conducting (tracks 1–4, 7, 10) Gavyn Wright – orchestra leader (tracks 1, 3, 7) Paul Turner – bass (track 2); guitar (track 6) Pete Gordeno – keyboards (tracks 2, 6); piano (tracks 2, 10) Yak Bondy – keyboards (track 4) Ralph Salmins – drums (track 4) Frank Ricotti – percussion (track 4); vibes (track 6) Paul Clarvis – percussion (track 4) Steve Pearce – bass (track 4) Hugh Burns – guitar (track 4) John Parricelli – guitar (track 4) Friðrik Karlsson – guitar (track 4) Richard Studt – orchestra leader (track 4) Allan Simpson – guitar (track 5) Pete Trotman – bass guitar (track 5) Simon Clarke – flute (track 5) Siemy Di – percussion (track 5) Alastair Gavin – string arrangement (track 5) Danny Cummings – percussion (track 6) Phil Todd – flute (track 6) Simon Ellis – all keyboards, programming (track 7) Paul Gendler – guitar (track 7) John Thompson – bass guitar (track 7) Brett Morgan – drums (track 7) Lisa Daniels – backing vocals (track 7) Ray "Madman" Hedges – arrangement (track 8) Nigel Butler – arrangement (track 8) Fabien Waltmann – programming, guitars (track 9) Nicky Brown – piano, Rhodes (track 9) Cathy Dennis – backing vocals (track 9) Luis Fonsi – vocals (track 10) Henrik Linnemann – flute (track 11) Tim Lever – all other instruments (track 11) Mike Percy – all other instruments (track 11) Toni Leo – backing vocals (track 11) Alex Clarke – additional programming (track 12) Steve Lewinson – all instruments (except piano and additional guitar), programming (track 12) Pete Lewinson – all instruments (except piano and additional guitar), programming (track 12) Paul "Harry" Harris – piano (track 12) Ian Lewinson – additional guitar (track 12) London Session Orchestra – orchestra (track 12) Simon Hale – orchestra arrangement, orchestra conducting (track 12) Technical [ edit] Mike Peden – production (tracks 1–3, 6, 10); mixing (tracks 3, 10) Mark "Spike" Stent – mixing (tracks 1, 2) Martin Hayles – recording (tracks 1–3, 6); engineering (track 10) Isobel Griffiths Ltd. – orchestra contractor (tracks 1–4, 7, 10) Richard Dowling – mastering Yak Bondy – production (track 4) Dan Frampton – mixing (tracks 4, 7) Steve Price – recording engineering (track 4) César Gimeno – engineering assistance (track 4) Boo Dan Productions – production, mixing (track 5) Simon Ellis – production (track 7) Tony Taverner – engineering (track 7) Jim Brumby – Pro Tools (track 7) Ray "Madman" Hedges – production, mixing (track 8) Nigel Butler – mixing (track 8) Mark Emmitt – mixing (track 8) Cathy Dennis – production (track 9) Fabien Waltmann – production, additional recording (track 9) Steve Fitzmaurice – mixing (track 9) Richard Wilkinson – mixing assistance (track 9) Keith Uddin – recording (track 9) Phil Bodger – mixing (track 10) Tim Lever – production (track 11) Mike Percy – production (track 11) Dan Panton – engineering assistance (track 11) Steve Lewinson – production (track 12) Pete Lewinson – production (track 12) Lipso Facto – additional production (track 12) The Asian Sensation – mixing (track 12) Artwork [ edit] Yacht Associates – art direction Darren S. Feist – photography Roger Dean – architectural photography Core Digital – scanning, retouching Charts [ edit] Certifications and sales [ edit] Release history [ edit] Notes [ edit] ^ Tracks 1–3 and 6 ^ Track 9 References [ edit] ^ a b c Erlewine, Stephen Thomas. "Free Me – Emma Bunton". AllMusic. Retrieved 31 January 2013. ^ Sexton, Paul (1 February 2004). "Emma Bunton: Bringing up baby". The Independent. Retrieved 11 March 2020. ^ "Emma Bunton's biggest solo hits: What I Am and Maybe". Heart. 8 November 2018. Retrieved 11 March 2020. ^ a b Top of the Pops (13 February 2004). "Free Me – Emma Bunton (Review)". BBC Music. Retrieved 31 January 2013. ^ Andrew Harrison. "Emma Bunton – Free Me". Blender. Archived from the original on 5 April 2005. Retrieved 8 April 2016. ^ a b Hanley, Lynsey (9 February 2004). "CD reviews: Norah Jones and more". The Daily Telegraph. Archived from the original on 25 August 2009. Retrieved 10 August 2017. ^ Ahmad, Azeem (9 February 2004). musicOMH. Retrieved 10 August 2017. ^ Walters, Barry (27 January 2005). "Rolling Stone Review: Free Me – Emma Bunton". Rolling Stone. Archived from the original on 10 December 2006. Retrieved 31 January 2013. ^ Gardner, Elysa (31 January 2005). "Emma, Free Me ". USA Today. Retrieved 30 September 2013. ^ "Música de Marcos Valle é destaque de CD de ex-spice girl" (in Portuguese). BBC Brasil. Retrieved 10 August 2017. ^ Free Me (liner notes). Emma Bunton. 19 Recordings. 2004. 986615-8. CS1 maint: others ( link) ^ "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved 4 September 2016. ^ "Official Albums Chart Top 100". Retrieved 22 January 2018. ^ "Emma Chart History (Heatseekers Albums)". Billboard. Retrieved 22 January 2018. ^ "UK Year-End Charts 2004" (PDF). UKChartsPlus. p. 4. Retrieved 22 January 2018. ^ "British album certifications – Emma Bunton – Free Me". British Phonographic Industry. 28 May 2004. Retrieved 22 January 2018. Select albums in the Format field. Select Gold in the Certification field. Type Free Me in the "Search BPI Awards" field and then press Enter. ^ "Review: Emma Bunton - Free Me".. Retrieved 11 February 2013. ^ Caulfield, Keith (18 November 2006). "Ask Billboard: The Spice Is Right". Retrieved 30 August 2018. ^ "American album certifications – Emma Bunton – Free Me". Recording Industry Association of America. If necessary, click Advanced, then click Format, then select Album, then click SEARCH.

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Info: Loves life, loves family, I say what I think and it gets me into trouble but better said than not.

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